Commercial Displays Go Green
By Joseph Dobrian
Visual designers and
décor suppliers say their commercial customers are seeking
holiday presentations that recognize Americans’ growing interest in
environmentalism.
Green is the word in commercial
Christmas decorations this year. “Environmentally responsible”
decorations are the order of the day, and that means energy-efficient lighting,
recycleable or reusable products, and displays made from reclaimed materials.
Jim Minard, vice president of sales
and marketing at Nu-Era Group, says many malls and individual retailers are
sticking with nostalgic iconography right now, while trendier retailers are
seeking out more daring colors. But the common thread, he says, is the “green”
factor. “Some bio-centric commitment, some green marketing message, must
be part of your décor,” he declares. “You might want to use more plants
and flowers, papier-mâché instead of plastic, or planters with trees that you
can raffle off after Christmas for people to plant in their yards.”
“Big” is in, too, reports Jackie Bach,
president of M. Lavine Design Workshop. “We recently constructed a
14-foot wreath, where the challenge was to make everything look proportionate,
so we had to use apples instead of holly berries,” she reports. “Our customers are
asking for metal structures. The metal is often treated with uneven finishes in red,
gold, brown or black for an oxidized appearance.”
The idea of reuse is important, Bach
says, and so is waste avoidance; thus, many displays employ reclaimed materials.
Also popular are ornament panels that can be used year-round for
various holidays.
Jack Dorner, creative director at
Center Stage Productions, also sees a trend toward larger holiday display
pieces in commercial venues. He reports that his mall clients, for example,
seem to want “to make big statements but to make fewer of them.” In
the past, says Dorner, they wanted décor “in every corner” of the mall;
now, they are more inclined to seek one or two high-impact presentations.
As for style trends, Dorner says that the momentum right now is toward
conservative styles with an updated look or twist. “They don’t want terribly
modern, but they also don’t want Victorian looks,” he observes.
Color Choices
Some observers report a trend back to traditional Christmas colors — reds,
greens, white and golds. Kent Fritzel, chief creative officer at American
Christmas, notes also that commercial-décor colors and styles are often dictated
by context as well as by general style trends. “A hotel will have a more
textured approach, a more intimate, homey feeling; while the corporate
space, a larger environment, will need a more neutral palette and décor
scheme,” he explains. “You don’t go too far away from traditional red, gold and
silver. This year, shades of gold are popular — champagne and platinum
tones. Another interesting color scheme is a mixture of bronzes and deep oranges
with a hint of beige. Add a touch of gold or champagne, and it
takes the scheme away from autumn and into the winter holidays.”
J. Stuart Hurt, showroom manager at Corman and Associates,
says that a “homey” look is more in demand nowadays, whether the venue is a
bank, hotel, hospital or office location. He says he has seen some movement
away from traditional reds and greens and toward gray tones, white,
burgundy, chocolate brown, and some oranges and lavenders. “This
sounds odd,” he notes, “but these colors do look good together, and the
grays play off each other. Holiday displays are more about colors than
about content these days.”
Kevin Maurer, commercial display consultant at Bronner’s
CHRISTmas Wonderland — which has both a retail and wholesale division — says
that traditional colors are popular, as well as new designer colors such as
copper, celery and mustard-yellow. He, too, believes that in commercial
venues, the season’s holiday colors must coordinate with the year-round
décor and fixtures.
Maurer notes that he has seen a change in the focus of
mall displays. “One important trend is that malls are looking for more
extravagance in the overhead décor, while their Santa settings
are shrinking. It used to be that every mall had a center court with a
huge display, but that is definitely changing; so, we have to provide elements
that look great, have an impact, but are flexible.”
Lighting Changes
LEDs have become the lighting technology of choice for commercial venues,
say suppliers. Dorner of Center Stage Productions says the lighting
segment of the holiday-display industry is currently undergoing a transformation.
He notes that most of his clients now insist on LED lighting, be
it for a large-scale tree, for a mall’s light curtains or for outdoor municipal
lighting. “The entire Champs Elysées in Paris was lighted with LEDs last
year, creating a much brighter lighting scheme at huge savings,” he reports.
“In the U.S., LEDs are being used to light lifestyle centers. We’re also seeing
a trend towards more adventuresome animation in lighting schemes:
faster-moving, live action coordinated with music. Sheer fabrics are more
popular, for wrapping a tree or for use in a light-curtain — especially transparent
fabrics with a texture.”
Karyn Atwood, director of sales and marketing at Holiday
Creations, also reports that the commercial market has been receptive to
LED-lighted décor because the technology offers long-term savings in
maintenance and energy costs. Whereas residential consumers may be more
price-driven in the choice of lighting, commercial customers
factor in the long-term costs. Atwood reports that her company has
added a patented technology that seals in the LED: a one-piece construction
that eliminates moisture issues. “It’ll be able to handle more than half
a mile of lighting on just one plug (with certification), and it eliminates
the power adapter,” she claims, noting that technological improvements also
mean that “we can create a stronger, brighter light, maybe 40 percent
brighter on the commercial side.”
At GP Designs, President David Loer
reports that many of his clients are dealing with the high initial cost of
LEDs by phasing them in, perhaps using new lighting on 20 percent of
their displays each year. //
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